While attempting to discover the roots of Hamlet’s unhappiness, two courtiers go on a journey to plumb the depths of the universe’s mysteries. Tom Stoppard’s wildly inventive, Tony® Award-winning first play takes us through a tilted version of Shakespeare’s most famous tragedy while casting new light on questions of fate, mortality and the meaning of existence. Recorded at The Invisible Studios, West Hollywood in June 2022.

Bret Easton Ellis’s masterful new novel is a story about the end of innocence, and the perilous passage from adolescence into adulthood, set in a vibrantly fictionalized Los Angeles in 1981 as a serial killer begins targeting teenagers throughout the city.

Shakespeare's most sophisticated comedy is a riotous tale of hopelessly unrequited passions and mistaken identity. Duke Orsino is in love with the noblewoman Olivia. She, however, has fallen for his servant Cesario, who is actually Viola, a woman disguised as a man, who loves Orsino: Confusion is rife. Meanwhile, Olivia's arrogant steward Malvolio is cruelly tricked by her uncle Sir Toby Belch, his friend Sir Andrew Aguecheek, and the maidservant Maria into believing his mistress loves him.

Austin is a distinguished Bostonian with a WASP pedigree, an unbeatable squash game, and a frightening secret. After he meets up with his old flame Ruth, they begin a comic and painful voyage of self-discovery.

Gracianna is inspired by true events in the life of Trini Amador’s great-grandmother, Gracianna Lasaga. As an adult, Amador was haunted by the vivid memory of finding a loaded German Luger tucked away in a nightstand while wandering his great-grandmother’s home in Southern California. He was only four years old at the time. Decades later, Amador would delve into the remarkable odyssey of his Gracianna’s past, a road that led him to an incredible surprise. In Gracianna, Amador weaves fact and fiction to tell his great-grandmother’s story.

Over the course of a steamy and tense afternoon, 12 jurors deliberate the fate of a 19-year-old boy alleged to have murdered his own father. A seemingly open and shut case turns complicated, igniting passions and hidden prejudices.

A poignant look at the disillusionment and angst of the post-World War I generation, The Sun Also Rises introduces two of Hemingway’s most unforgettable characters: Jake Barnes and Lady Brett Ashley. The story follows the flamboyant Brett and the hapless Jake as they journey from the wild nightlife of 1920s Paris to the brutal bullfighting rings of Spain with a motley group of expatriates. In his first great literary masterpiece, Hemingway portrays an age of moral bankruptcy, spiritual dissolution, unrealized love, and vanishing illusions.

From the pen of the winner of the 2009 Pulitzer Prize for Drama! The Crump family is adrift and in trouble. Widowed Godfrey is under the spell of Sweet Father Divine, while his teen daughters, Ernestine and Ermina, immerse themselves in the illusions of Hollywood to escape racial prejudice. But things change quickly when free-spirited Aunt Lily shows up: Godfrey remarries a white woman, Ermina discovers boys, and Ernestine is torn between Communism and bebop!

Playwright Kenneth Lonergan has made a career of creating characters whose considerable flaws often get in the way of their good intentions. In Lobby Hero, two menial security guards are embroiled in an unexpected family fiasco… and the local beat police are divided by their own romantic and political allegiances. An L.A. Theatre Works full-cast performance featuring: Tate Donovan as Bill; Cedric Sanders as William; Emily Swallow as Dawn; Michael Weston as Jeff. Directed by Bart DeLorenzo. Recorded before a live audience at the Skirball Cultural Center, June 2011.

January 1946: London is emerging from the shadow of the Second World War, and writer Juliet Ashton is looking for her next book subject. Who could imagine that she would find it in a letter from a man she’s never met, a native of the island of Guernsey, who has come across her name written inside a book by Charles Lamb.... As Juliet and her new correspondent exchange letters, Juliet is drawn into the world of this man and his friends - and what a wonderfully eccentric world it is.

You may "know" Jenny Slate from her Netflix special, Stage Fright, as the creator of Marcel the Shell, or as the star of Obvious Child. But you don't really know Jenny Slate until you get bonked on the head by her absolutely singular writing style. To see the world through Jenny's eyes is to see it as though for the first time, shimmering with strangeness and possibility.

Barrington Jedidiah Walker is 74 and leads a double life. Born and bred in Antigua, he's lived in Hackney, London, for years. A flamboyant character with a fondness for William Shakespeare, Barrington is a husband, father, grandfather - and also secretly gay.

After Betty Ramdin’s husband dies, she invites a colleague, Mr. Chetan, to move in with her and her son, Solo. Over time, the three become a family, loving each other deeply and depending upon one another. Then, one fateful night, Solo overhears Betty confiding in Mr. Chetan and learns a secret that plunges him into torment. Solo flees Trinidad for New York to carve out a lonely existence as an undocumented immigrant, and Mr. Chetan remains the singular thread holding mother and son together.

From navigating the oft competing worlds of religion and desire, to balancing society’s expectations with the raw experience of being a woman in the world; from detailing the experiences of growing up as a first generation black British woman, to working through situations of dependence and abuse; from finding solace in the echoing caverns of depression and loss, to exploring the vulnerability and redemption in falling in love, each of the raw and immediate poems in Daley-Ward’s bone resonates to the core of what it means to be human.

Mrs Death has had enough. She is exhausted from spending eternity doing her job, and now she seeks someone to unburden her conscience to. Wolf Willeford, a troubled young writer, is well acquainted with death but until now hadn't met Death in person - a Black, working-class woman who shape-shifts and does her work unseen. Enthralled by her stories, Wolf becomes Mrs Death's scribe and begins to write her memoirs. Using their desk as a conduit, Wolf travels across time and place with Mrs Death to witness deaths of past and present and discuss what the future holds for humanity.

From navigating the oft competing worlds of religion and desire, to balancing society’s expectations with the raw experience of being a woman in the world; from detailing the experiences of growing up as a first generation black British woman, to working through situations of dependence and abuse; from finding solace in the echoing caverns of depression and loss, to exploring the vulnerability and redemption in falling in love, each of the raw and immediate poems in Daley-Ward’s bone resonates to the core of what it means to be human.

Hugh Farnham is a practical, self-made man, and when he sees the clouds of nuclear war gathering, he builds a bomb shelter under his house, hoping for peace and preparing for war. But when the apocalypse comes, something happens that he did not expect. A thermonuclear blast tears apart the fabric of time and hurls his shelter into a world with no sign of other human beings.

Published in 1945, Cannery Row focuses on the acceptance of life as it is: both the exuberance of community and the loneliness of the individual. Drawing on his memories of the real inhabitants of Monterey, California, Steinbeck interweaves the stories of Doc, Henri, Mack and his boys, and the other characters in this world where only the fittest survive, to create a novel that is at once one of his most humorous and most poignant works.

Jamaica, 1938. Gloria Campbell is sixteen years old when a single violent act alters the course of her life forever. Taking along her younger sister, she flees their hometown to forge a new life in Kingston. But in a capital city awash with change, a black woman is still treated as a second-class citizen. From a room in a boarding house and a job at a supply store, Gloria finds her way to a house of ill repute on the edge of the city, intrigued by the glamorous, financially independent women within.

It is 1959 in Wicklow, Ireland, and Annie and her cousin Sarah are living and working together to keep Sarah’s small farm running. Suddenly, Annie’s young niece and nephew are left in their care. Unprepared for the chaos that two children inevitably bring, but nervously excited nonetheless, Annie finds the interruption of her normal life and her last chance at happiness complicated further by the attention being paid to Sarah by a local man with his eye on the farm.

Winner of the Orange Broadband Prize for Fiction 2008, The Road Home is the best-selling story of Lev, a middle-aged migrant from Eastern Europe, who moves to London in search of work after losing his wife and job. Lev's London is awash with money, celebrity and complacency. The world Tremain creates is both convincing and poignant.

It's the end of the roaring twenties, and the exuberant and Honourable Phryne Fisher is dancing and gaming with gay abandon. But she becomes bored with London and the endless round of parties. In search of excitement, she sets her sights on a spot of detective work in Melbourne, Australia. And so mystery and the beautiful Russian dancer, Sasha de Lisse, appear in her life. From then on it's all cocaine and communism until her adventure reaches its steamy end in the Turkish baths of Little Lonsdale Street.

Jadine Childs is a Black fashion model with a white patron, a white boyfriend, and a coat made out of ninety perfect sealskins. Son is a Black fugitive who embodies everything she loathes and desires. As Morrison follows their affair, which plays out from the Caribbean to Manhattan and the deep South, she charts all the nuances of obligation and betrayal between Blacks and whites, masters and servants, and men and women.

Ebenezer Le Page, cantankerous, opinionated and charming, is one of the most compelling literary creations of the late 20th century. Eighty years old, Ebenezer has lived his whole life on the Channel Island of Guernsey, a stony speck of a place caught between England and France yet a world away from either. Ebenezer himself is fiercely independent, but as he reaches the end of his life he is determined to tell his own story and the story of those he has known.

"It was in the first week of October in the year 1391 that I first came face to face with the man who owned me… the man whose lightest word was to us, his villeins, weightier than the King’s law or the edicts of our Holy Father…” So began the story of Martin Reed - a serf whose resentment of the automatic rule of his feudal lord finally flared into open defiance.

The future is blue - endless blue...except for a few small places that float across the hot, drowned world left behind by long-gone fossil fuel-guzzlers. One of those patches is a magical place called Garbagetown. Tetley Abednego is the most beloved girl in Garbagetown, but she’s the only one who knows it. She’s the only one who knows a lot of things: that Garbagetown is the most wonderful place in the world, that it’s full of hope, that you can love someone and 66% hate them all at the same time.

When Frankie’s mother died and her father left her and her siblings at an orphanage in Chicago, it was supposed to be only temporary - just long enough for him to get back on his feet and be able to provide for them once again. That’s why Frankie's not prepared for the day that he arrives for his weekend visit with a new woman on his arm and out-of-state train tickets in his pocket. Now, Frankie and her sister, Toni, are abandoned alongside so many other orphans - two young, unwanted women doing everything they can to survive.

Trina FastHorse Goldberg-Oneka is a fifty-year-old trans woman whose life is irreversibly altered in the wake of a gentle--but nonetheless world-changing--invasion by an alien entity called The Seep. Through The Seep, everything is connected. Capitalism falls, hierarchies and barriers are broken down; if something can be imagined, it is possible. Trina and her wife, Deeba, live blissfully under The Seep’s utopian influence--until Deeba begins to imagine what it might be like to be reborn as a baby, which will give her the chance at an even better life.

Getting a life isn't always easy. And hanging on to it is even harder.... Jodi Taylor brings all her comic writing skills to this heartwarming tale of self-discovery. Known as The Nothing Girl because of her severe stutter and chronically low self-confidence, Jenny Dove is only just prevented from ending it all by the sudden appearance of Thomas, a mystical golden horse only she can see. Under his guidance Jenny unexpectedly acquires a husband - the charming and chaotic Russell Checkland.

Set in Venice at the close of World War II, Across the River and into the Trees is the bittersweet story of a middle-aged American colonel, scarred by war and in failing health, who finds love with a young Italian countess at the very moment when his life is becoming a physical hardship to him.

Raise your hand if you cringe at the sound of your own voice, worry that you actually do sound like your mother, or have spent a sleepless night wondering if your inner and outer voices are in sync. Now, hands down, headphones on. Lake Bell is going to tell you why you’re not alone and why your voice matters in the most deeply personal ways. Inside Voice unpacks the writer-director-producer-actor’s obsession with voice and all its permutations.

In the late ’60s, Ntozake Shange was a student at Barnard College discovering her budding talent as a writer, publishing in her school’s literary journal, and finding her unique voice. By the time she left us in 2018, Shange had scorched blazing trails across countless pages and stages, redefining genre and form as we know them, each verse, dance, and song a love letter to Black women and girls, and the community at large.

In the back room at an elite gallery party, 40-something soccer mom Johanna Porter stands face to face with her younger self. The girl in the portrait, La Rosa Blanca, is fierce and fearless, and Johanna sees the great painter she almost was before her lover, the powerful artist Nestor Pinedo, torched her career. When she cuts the million-dollar masterpiece out of its frame, rolls it up and walks out, it’s not a theft. It’s a rescue.

At age 40, Parker surrendered to her Swept Away meets Swiss Family Robinson fantasy of owning an inn in Latin America, far from her home in the Pacific Northwest. For the next 20-plus years Parker ran La Finca Caribe, an eco-lodge in Vieques, Puerto Rico. What started as a “half-baked duct-taped dream” grew into an acclaimed, rustic inn, frequented by guests from around the world. Sketchbook in hand, Parker chronicled her daily adventures in getting to know the land, culture and herself.

The Lilac. The bard songs say that she’s the world’s most fearsome bounty hunter. That there’s no criminal she can’t catch, no mystery she can’t solve. None of that is true. Yet. In reality, the Lilac is just a kid, and the bard who wrote all that is her best friend, Dulcinetta. But the Lilac has set her goals on becoming the best bounty hunter in the Thirteen Kingdoms—and when a priceless artifact goes missing from the home of famed monster hunter Baron Angbar, the Lilac and Netta are eager to apprehend the thief and make a name for themselves.

From the award-winning journalist Bob Woodward calls “one of the truly great reporters working today,” a searing account of two linked and tragic deaths stemming from the 2020 George Floyd protests that explores the complex political and racial mistrust and division of today’s America.

1940, Kent: Alice King is not brave or daring—she’s happiest finding adventure through the safe pages of books. But times of war demand courage, and as the threat of German invasion looms, a plane crash near her home awakens a strength in Alice she’d long forgotten. Determined to do her part, she finds a role perfectly suited to her experience as a schoolteacher—to help evacuate Britain’s children overseas.

Growing up in rural Oregon, Brandon Wolf grappled with the devastating loss of his supportive mother and with the embedded racism and homophobia of a community that made him feel like an unwelcome stranger. After the lack of connection and role models led him down a spiral of risky behavior, Wolf escaped to survive. In Orlando, he found what he’d been searching for: belonging—in a community that was a safe space with people he’d come to call his chosen family.

As Jews tried to escape Nazi Germany in the 1930s, they faced unthinkable roadblocks in obtaining exit visas. And while they were denied entry in one country after another, a bureaucratic oddity enabled some of them to flee to an unlikely destination: Shanghai, China. In this LATW original commission, playwright Kate McAll used the survivors’ own words to create a narrative of people starting their lives over in a completely new land.

Sadie Grace is wanted for witchcraft, dead (or alive). And every hired gun in Kansas is out to collect the bounty on her head, including bonafide witch hunter Old Tom and his mysterious, mute ward Rabbit. On the road to Burden County, they’re joined by two vagabond cowboys with a strong sense of adventure–but no sense of purpose–and a recently widowed schoolteacher with nothing left to lose. And as their posse grows, so too does the danger.

After secrets and betrayal shatter his marriage, Josh Mallory seeks solace on the Pacific Crest Trail, in the mountains of Washington. On the trail, he’s just another hiker. On the trail, he can outrun the memories. When wild animals destroy his food, Josh detours through a small mountain town. Missing hiker posters hang in the windows, and residents won’t look him in the eyes, let alone speak to him or help him. Trapped on a mountain ridge beneath a full moon and desperate for help, Josh moves on, only to encounter a mysterious group who call themselves the Woodkin.